02069nam a2200217Ia 4500001001000000100003400010101000800044200006300052210000900115215003100124300132000155608001301475650001801488700011301506801000701619856007001626857009001696909001101786920004101797991001301838Π.488eng  a20140611d9999 m y0grey0103 ga  aeng1 aThe Harbor of Kalamatab[Painting]fParthenis Konstantinos  d1911  a70 x 75 cm [Oil on canvas]  aThe "Harbour of Kalamata" introduces us to the poetic and lyrical atmosphere of Parthenis' painting. What can we see in this painting? A quay with benches and a red lighthouse at the end. A ship with open sails painted yellow. A violet mountain in the distance. And a sky with faint clouds, in which we find once again, in softer tones, the colours of the sea and the mountain. The entire work is lightly painted, allowing the spaces between the colour areas to breathe. The harmony of colours is based on the interplay of blue-purple and yellow-orange. In other words, a conversation between cool-warm and complementary colours. The composition is based on the large horizontal line of the sea, the vertical lighthouse and the diagonal quay. The ship with open sails balances the weight of the elements that would otherwise be heavier to the right.Although the quay has been drawn in perspective, in fact the painting has no depth. This is because there is no atmospheric perspective, as it was called by the old painters. In other words, the more distant objects - the quay further in the distance, the mountains - have not been painted using fainter tones in order to suggest distance. In modern painting, the artist seeks to keep the image within the canvas plane, avoiding the illusion of three-dimensionality.  aPainting  aOil on canvas 1aParthenis Konstantinosf(1878/1879 - 1967)uhttps://www.nationalgallery.gr/en/artist/parthenis-konstantinos/  a59  uhttps://www.nationalgallery.gr/en/artwork/the-harbor-of-kalamata/  ahttps://www.nationalgallery.gr/wp-content/uploads/2022/04/60774_2000_2000-500x464.jpg  aΠ.488  aDonated by the Ministry of Transport  aPAINTING