02745nam0a2200349   45000010008000000050017000080100022000250100018000470100018000650100015000831000041000981010008001392000041001472100040001882150041002282600009002693000149002783200046004273270360004733301151008336000044019846060065020286060037020936860006021307000030021367010027021667120055021938010042022488520072022909090012023629200021023741-8546920240522152832.0  a978-1-912520-73-2  a1-912520-73-7  z9781912520923  z1912520923  a20230906d20222022   y0frey03      ba  aeng1 aWilliam Kentridge fStephen Clingman  aLondoncRoyal Academy of Artsd2022  a221 σ.cεικ. εγχρ.d30 εκ.  c2022  a"First published on the occasion of the exhibition 'William Kentridge,' Royal Academy of Arts, 24 September-11 December 2022"--Title page verso.  aΠεριέχει βιβλιογραφία0 aWilliam Kentridge: Liberating Vision / Stephen Clingman -- Six Meditations / Stephen Clingman -- Drawn Through Time -- The Enigmas of Soho -- Shadows of the Past, Shadows of the Present -- Dualities, or How I Did Not Become -- Timespaces, or Two Dancers -- Coda. Vanishings -- The Centre for the Less Good Idea / Adrian Locke -- Chronology / Rose Thompson  a"The South African artist William Kentridge Hon RA was born in Johannesburg in 1955 and lives and works there to this day. He is internationally renowned for the expressionism of his work in numerous media, among them charcoal, printmaking, sculpture and film, as well as his acclaimed theatrical and operatic productions. As elusive as it is allusive, Kentridge's art is shaped by apartheid and grounded in the politics of the post-apartheid era, and in science, literature and history, while always maintaining space for contradiction and uncertainty. In a brilliant exposition of Kentridge's output, Stephen Clingman, Distinguished Professor of English at the University of Massachusetts, Amherst, undertakes a series of enquiries, of walks around the artist and his practice, through the various layers and linkages, crossings and connections of his art. As he proceeds, he considers Kentridge's themes, explores them and proceeds by association to others. Along the way, overlaps, thought-collages, allusions and assemblages come together to create a connective, dimensional way of thinking inspired by Kentridge's own habits of creation."-- 1aKentridgebWilliam,f1955-xExhibitions0 aΤέχνη, ΝοτιοαφρικανικήxΕκθέσεις  aArt, South AfricanjExhibitions.  aM 1aKentridgebWilliamf1955- 1aClingmanbStephen407002aRoyal Academy of Arts (London, Great Britain)4650  aGRbNATIONAL GALLERYc20230906gAACR2  aINSTbLIBRARYe20230906hM KEN 2022p036000037409q036000037409uBK  b0029931  cΑΓΟΡΑz2023