02573cam0a2200289   45000010008000000050017000080100032000251000041000571010008000982000127001062100048002332150031002812600009003123200093003213270356004143301062007706000070018326060103019026060061020056860006020667000028020727120036021008010042021368520072021789090012022509200021022621-8553220240522153126.0  a978-1-10-717285-2bhardback  a20230921d20192019m  y0frey        ba  aeng1 aPractice and theory in the Italian Renaissance workshop eVerrocchio and the epistemology of making artfChristina Neilson  aCambridgecCambridge University Pressd2019  a355 σ.cεικ.d26 εκ.  c2019  aΠεριέχει βιβλιογραφικές αναφορές και ευρετήριο  aMachine generated contents note: Introduction; 1. Verrocchio's ingenuity; 2. Verrocchio's Medici Tomb: art as treatise; 3. Bridging dimensions: Verrocchio's Christ and Saint Thomas as absent presence; 4. The sculptured imagination; 5. Material meditations in Verrocchio's Bargello Crucifix; Conclusion; A note on archival sources; Bibliography; Index.  a"Verrocchio was arguably the most important sculptor between Donatello and Michelangelo, but he has seldom been treated as such in art historical literature because his achievements were quickly superseded by the artists who followed him. He was the master of Leonardo da Vinci, but he is remembered as the sulky teacher that his star pupil did not need. In this book, Christina Neilson argues that Verrocchio was one of the most experimental artists in fifteenth-century Florence, itself one of the most innovative centers of artistic production in Europe. Considering the different media in which the artist worked in dialogue with one another (sculpture, painting, and drawing), she offers a novel analysis of Verrocchio's unusual methods of manufacture. Neilson shows that, for Verrocchio, making was a form of knowledge and that techniques of making can be read as systems of knowledge. By studying Verrocchio's technical processes, she demonstrates how an artist's theoretical commitments can be uncovered, even in the absence of a written treatise"-- 1aVerrocchiobAndrea del,f1435?-1488xCriticism and interpretation0 aΕργαστήρια καλλιτεχνώνyΙταλίαyΦλωρεντίαz15ος αιώνας  aArtists' studiosxHistoryyItalyyFlorencez15th century  aM 1aNeilsonbChristina407002aCambridge University Press4650  aGRbNATIONAL GALLERYc20230921gAACR2  aINSTbLIBRARYe20230921hM VER 2019p036000037342q036000037342uBK  b0030015  cΑΓΟΡΑz2023