02052nam a2200313   45000010008000000050017000080100030000251000041000551010013000962000137001092100034002462150053002802600009003333000083003423200067004253300809004925100044013016000038013456000046013836010055014296760006014847000032014907020027015227120021015498010042015708520072016129090012016849200042016961-8668120240925155859.0  a9783775733205a3775733205  a20240920d2012####m  y0grey0103    ba  ageraeng1 aHans ArpeSkulpturen: Eine BestandsaufnahmedHans Arp: Sculptures: A critical surveyfedited by Arie Hartog, compiled by Kai Fischer  aOstfilderncHatje Cantzd2012  a424 σ.cεικ. ασπρ. & εγχρ.d31 εκ.  c2012  aΈκθεση: Gerhard Marcks-Haus, Bremen, October 28 2012 to February 17 2013  aΠεριέχει βιβλιογραφικές αναφορές  aHans Arp's (1886-1966) language of forms revolutionized the way people thought about the medium of sculpture. His sculptural work alludes to neither nature nor fantasy, but instead allows imaginary images to appear in an open process. Hans Arp's great art historical significance has been overshadowed in recent years by discussions about the correct handling of posthumous casts. Arie Hartog and Kai Fischer from the Gerhard-Marcks-Haus in Bremen have assembled the information available on Arp's body of sculptural work and thus present an important step toward clearing up the debate. This publication draws together all of the authenticated examples of each of Arp's known sculptures and brings their respective status up to date. An introductory essay describes the development of Hans Arp's oeuvre.1 aJean ArpeSculptures: A critical survey  aArpbJeanf1887-1966xExhibitions  aArpbJeanf1887-1966xCatalogue raisonné  aGerhard Marcks-Haus (Bremen, Germany)xExhibitions  aM 1aHartogbArie422043404070 1aFischerbKai4220407002aHatje Cantz4650  aGRbNATIONAL GALLERYc20220603gAACR2  aINSTbLIBRARYe20240920hM ARP 2012p036000042665q036000042665uBK  b0030963  aGerhard Marcks-HauscΔΩΡΕΑz2024