Practice and theory in the Italian Renaissance workshop : Verrocchio and the epistemology of making art / Christina Neilson
"Verrocchio was arguably the most important sculptor between Donatello and Michelangelo, but he has seldom been treated as such in art historical literature because his achievements were quickly superseded by the artists who followed him. He was the master of Leonardo da Vinci, but he is... Πλήρης περιγραφή
| Συγγραφείς: | Neilson Christina |
|---|---|
| Κατηγορία Υλικού: | Βιβλίο |
| Γλώσσα: | English |
| Έκδοση: |
Cambridge : Cambridge University Press, 2019 |
| Θέματα: | |
| Ετικέτες: |
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| LEADER | 02576cam0a2200289 4500 | ||
|---|---|---|---|
| 001 | 1-85532 | ||
| 005 | 20240522153126.0 | ||
| 010 | |a 978-1-10-717285-2 |b hardback | ||
| 100 | |a 20230921d20192019m y0frey ba | ||
| 101 | |a eng | ||
| 200 | 1 | |a Practice and theory in the Italian Renaissance workshop |e Verrocchio and the epistemology of making art |f Christina Neilson | |
| 210 | |a Cambridge |c Cambridge University Press |d 2019 | ||
| 215 | |a 355 σ. |c εικ. |d 26 εκ. | ||
| 260 | |c 2019 | ||
| 320 | |a Περιέχει βιβλιογραφικές αναφορές και ευρετήριο | ||
| 327 | |a Machine generated contents note: Introduction; 1. Verrocchio's ingenuity; 2. Verrocchio's Medici Tomb: art as treatise; 3. Bridging dimensions: Verrocchio's Christ and Saint Thomas as absent presence; 4. The sculptured imagination; 5. Material meditations in Verrocchio's Bargello Crucifix; Conclusion; A note on archival sources; Bibliography; Index. | ||
| 330 | |a "Verrocchio was arguably the most important sculptor between Donatello and Michelangelo, but he has seldom been treated as such in art historical literature because his achievements were quickly superseded by the artists who followed him. He was the master of Leonardo da Vinci, but he is remembered as the sulky teacher that his star pupil did not need. In this book, Christina Neilson argues that Verrocchio was one of the most experimental artists in fifteenth-century Florence, itself one of the most innovative centers of artistic production in Europe. Considering the different media in which the artist worked in dialogue with one another (sculpture, painting, and drawing), she offers a novel analysis of Verrocchio's unusual methods of manufacture. Neilson shows that, for Verrocchio, making was a form of knowledge and that techniques of making can be read as systems of knowledge. By studying Verrocchio's technical processes, she demonstrates how an artist's theoretical commitments can be uncovered, even in the absence of a written treatise"-- | ||
| 600 | 1 | |a Verrocchio |b Andrea del, |f 1435?-1488 |x Criticism and interpretation | |
| 606 | 0 | |a Εργαστήρια καλλιτεχνών |y Ιταλία |y Φλωρεντία |z 15ος αιώνας | |
| 606 | |a Artists' studios |x History |y Italy |y Florence |z 15th century | ||
| 686 | |a M | ||
| 700 | 1 | |a Neilson |b Christina |4 070 | |
| 712 | 0 | 2 | |a Cambridge University Press |4 650 |
| 801 | |a GR |b NATIONAL GALLERY |c 20230921 |g AACR2 | ||
| 852 | |a INST |b LIBRARY |e 20230921 |h M VER 2019 |p 036000037342 |q 036000037342 |u BK |y 0 | ||
| 909 | |b 0030015 | ||
| 920 | |c ΑΓΟΡΑ |z 2023 | ||
Παρόμοια τεκμήρια
-
The sculptures of Andrea del Verrocchio
Από: Butterfield Andrew 1959- Έκδοση: (1997) -
Andrea del Verrocchio
Από: Planiscig Leo 1887-1952 Έκδοση: (1941) -
The painter's practice in Renaissance Tuscany
Από: Thomas Anabel Έκδοση: (1995) - The Cambridge companion to Masaccio Έκδοση: (2002)
- Verrocchio sculptures Έκδοση: (1969)
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